![]() ![]() ![]() The digital reverb is quite realistic, and it closely resembles an analog spring-loaded circuit. ![]() We’d recommend going elsewhere if you want your cleans with a hint of valve-like grit. The clean channel of the Bandit is precisely what one would expect from a good contemporary transistor amp, being well-balanced and fairly neutral, enabling the instrument’s uniqueness to shine through. Power and speaker cables are thick, and anything that isn’t part of a ribbon connection is either short or tightly wrapped. With no silicone adhesive, the circuit boards and transformer are firmly secured to a folding steel chassis. Its interior structure appears to be of high quality as well. The broad, top-mounted handle has a somewhat spongy feel, making it particularly grip-friendly the Bandit 112 is well-balanced and comfortable to carry at little over 40 lbs. The cabinet is made of high-density particleboard, with a 3/8″ pine plywood baffle and hefty metal corner guards according to our Peavey Bandit 112 Red Stripe review. The brushed metal strips and black cowling on the speaker panel are firmly attached and rattle-free. This is a real pity because there are so many excellent solid-state amplifiers available that most people believe they’re all awful. What tends to let many solid-state amplifiers down is the fact that the speakers that are generally installed in them are subpar. ![]()
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